GODZILLA FINAL WARS

GODZILLA: FINAL WARS ~ 2004, Ryuhei Kitamura – Japan

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In 2004, Godzilla’s 50th anniversary, Toho released Godzilla: Final Wars. It was meant to be a finale of sorts, after which good old Godzilla would take some time to chill out. In an effort to celebrate the long running franchise, Final Wars works like a celebration of the entire cannon, and in a way, it’s almost a remake of every Godzilla movie simultaneously (mostly Destroy All Monsters), but it’s kind of a damn mess.

The plot is as follows: It is the future; blah blah blah who cares; the plot isn’t worth hashing out. Again, it’s that same old alien invasion story Toho has used over and over, but it’s really just a means to justify Godzilla fighting as many monsters as possible, and he really, really does. There are some dumb aliens in the mix, as well as a bunch of “mutants,” whom we’ll be talking about later.

It feels kinda disjointed and hurried. There is so much freaking homage in here that it almost just feels like watching a sitcom a clip show episode most of the time, which is not what you want from a glorious, 50th anniversary finale to your proudest franchise. The special effects suffer in the same way most modern Godzilla movies do- cheap, crappy CG and terrible composite effects, but the worst thing about the movie  is the emphasis on its human, and “mutant” characters. We spend a lot of time with them… And that time is a grab bag, sometimes its good, sometimes its really, really terrible.

Let’s look at the good; basically, aside from all the rad monster stuff, the coolest part of the movie is this guy:

gfw76Captain Gordon… He kinda looks like Stalin, mostly because they dress him exactly like Stalin for some reason… but he also kinda looks like Sgt. Slaughter, or a bad ass Mario, so that’s sort of a mixed message, but the fact remains that holy shit is he cool. Our lame ass mutant characters bust him out of military jail because they need his leadership to save the world. He’s really awesome, and he’s the captain of a sweet flying/submarine/drill type ship borrowed right out of Atragon, which is one of the better Showa era homages in the entire flick. That’s all good stuff…

…And then, on the other end of the spectrum, we have these guys….

gfw54“Mutants.” they suck so bad. These guys are part of the Earth anti-monster defense initiative or something. I have no idea in what way they’re better than normal people, but they’re supposed to be vaguely super human somehow, while remaining incredibly cliche and disinteresting. They’re like some profoundly lame Matrix/Ultraman combo deal, and they take up far too much screen time. I hate them a lot, for real, I’d have taken the G-Graspers over these idiots.

Also worth a mention, the big, stupid, Roland Emmerich version of Godzilla pops up in this movie, too. It tromps around and is promptly murdered by the real Godzilla, which takes less than a minute, and is a great thing that we all know needed to happen. I didn’t expect any sort of closure on that one, so this feels like a nice treat. Of course, I could have done without the unlistenable Sum 41 song that plays over the scene, but we have mute buttons, so it’s still good.

So, is it a good movie? Kinda. It’s probably going to make most Godzilla enthusiasts happy. I found myself enjoying the effort taken to pay respects to Godzilla’s older films, and all the monster fighting sequences are well done and entertaining. Also great; after relentlessly flip flopping on the Nature of Godzilla, I feel like this movie finds a good balance by casting him as humanity’s last ditch guardian by default, a looming threat that we all dread, but which is at the same time, our only hope for survival. I think this is a logical extension of the metaphor, given that GZ was originally meant to symbolize the horrors of atomic warfare. It’s a safe assumption that, if facing alien invasion, we might come to feel the same way about nuclear weapons that we do about Big Green in this film, so it feels appropriate that he has again found himself as a stand in for the bomb. Godzilla: Final Wars does a good job with that idea.

….BUT it isn’t a classic. As a finale, it feels appropriately epic, but we’ve traded a lot of character development for more for slick action sequences this time, and I’m never in favor of that. It’s simply too cluttered, and too all over the place, but if what you’re looking for is giant monsters fighting and little else, this for sure will give you what you want. I just think it would be wise to expect more from Godzilla, because his potential is enormous.

C-

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Godzilla Vs. Megalon!

Godzilla VS Megalon ~ 1974, Jun Fukuda – Japan

godzilla-vs-megalon-japanese-posterEven the poster is lame.

The trajectory of the Godzilla franchise has never been a straight line. Sometimes these movies are real home runs… Other times Jet Jaguar shows up. Now, I don’t want to blame everything on Jet Jaguar, but 100% of the movies he shows up in suck. Anyway, moving on; one year after Godzilla VS. Gigan, we have Godzilla VS Megalon, another kinda sorta almost recycled Godzilla film, which is still much better than the full on totally definitely recycled Godzilla films we often see. This time, the aliens who use a monster to destroy us aren’t aliens, they’re humans, from the Earth’s core… So, kinda sorta new, but not really. This movie is pretty mediocre, and that’s probably being generous…

 Godzilla-Vs-Megalon-PosterTHAT’S a poster.

THE PLOT~ The people of Earth have begun conducting all their nuclear bomb tests underground. They think this is totally no big deal, but unbeknownst to them, all these subterranean H-Bombs are really pissing off the people of Seatopia, a lost, Atlantis style civilization, which exists beneath the Earth’s crust. (Also, Seatopia looks like a “Ancient civilization” themed Las Vegas casino, and their leader is an aging swinger in a toga.) Seatopia has had enough of this surface people bullshit, so they launch their defender, Megalon, which is basically a giant humanoid cockroach with drill hands that can spit fire bombs. “That outta take care of it,” they think.

Meanwhile, up on the surface, we have our three human characters, Goro (Apparently before growing a pony tail and two extra arms) his constantly present, loyal, male companion Hiroshi (are these dudes a couple?) and their young child Rokuro, who they probably adopted together. When we meet these three, Goro and Hiroshi have brought Rokuro to a nearby lake for a nice afternoon of recreation, and Rokuro is out on the lake piloting what can only be called some sort of Aquatic Goof-Mobile.

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Just then, a fissure opens in the lake bed, creating a whirling maelstrom of danger and death. Perhaps this was caused by Seatopia, the subterranean bomb tests, or perhaps the lake was just tired of something so stupid looking as Rokuro’s Goof-Mobile splashing about on it’s surface and chose to commit suicide. Regardless, just when it looks like his goose is cooked, Rokuro is saved by Goro and Hiroshi, who employ the use of a Liferope Gun that they had with them. LIFEROPE GUN!? What kind of technology is Japan holding out on us? They gave us Playstation, but not the Liferope Gun? Bizarre. Not only that, but check it out, Hiroshi and Goro have also built a humanoid robot called Jet Jaguar, presumably for sexual purposes. Jet Jaguar attracts the attention of some secret agents from Seatopia who are concerned that the robot might thwart their Megalon related plans. They must not know that Jet Jaguar is totally lame. Anyway, there are some twists, some turns, Jet Jaguar is highjacked by these spies briefly, but then escapes their control and somehow gains sentience. He then zooms off to Monster Island to ask Godzilla for help clobbering Megalon, and Godzilla happily agrees because by this point he has completely turned the corner from menace to hero. Anticipating Godzilla’s involvement, Seatopia sends for Gigan’s help, because they apparently work with whatever cosmic temp agency manages him, but they couldn’t afford Ghidorah. Jet Jaguar grows to kaiju size (he can do that, I guess), and the four players beat the shit out of each other for the rest of the movie. It’s not that awesome…

Monster role call!

  • 936full-godzilla-vs_-megalon-photoGODZILLA- Just a big ol’ softy. In this one, Godzilla’s head has been redesigned, 713875-vlcsnap_2010_10_31_12h22m27s8his eyes are much larger, and more frontal, which gives him a more humanoid and friendly appearance. Godzilla also observes different human customs, such as the shaking of hands, and feeling insulted when Megalon taunts him with his weird monster butt-slap dance. Things were getting a little Gamera by this point.
  • JET JAGUAR– A giant piece of garbage.
  • MEGALON– A giant bug.
  • GIGAN- Hey! Gigan’s back!Godzilla-Vs-Megalon-1973

So, yeah… The movie has like, several car chases in it, which is new. There’s also a lot more human on human violence, some of which is kind of goofy. The whole film is much more light and silly than recent entries, and this is the movie where Godzilla does his much despised flying missile kick, a fighting move so ridiculous it was immortalized in the opening of Mystery Science Theater 3000, a program designed to mock cinematic insolence. In fact, Godzilla VS Megalon, as a whole, was riffed left, right and center by MST3K in 1991.

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GvM is a lull, an awkward misstep between the introduction of the relevant and much loved Gigan in the previous film, and the introduction of the relevant and much loved Mecha Godzilla in the sequel the following year. It’s a fumble, but it’s not super terrible. Really, GvM isn’t much of anything.

C-

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Godzilla Versus Gigan!

Godzilla VS Gigan ~ 1972, Jun Fukuda – Japan

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After the radical change of pace that was Godzilla VS Hedorah we are again back in step with more traditional Toho fare on Godzilla VS Gigan, yet another recycled alien invasion/Godzilla film, directed by Jun Fukuda. Godzilla VS Gigan reuses, for the two billionth time, several plot devices introduced to the franchise way back in 1964’s Ghidorah: The Three Headed Monster, but Fukuda manages to breathe a little bit of life into the picture with his zesty directing and keeps it feeling fresh enough… But just barely.

THE PLOT~ Gengo is a struggling, out of work cartoonist (Preaching to the choir, buddy) with a resourceful nature and a plucky thirst for adventure. While at a job interview (Wait, what?! You serious?!) Gengo becomes suspicious of his would be employers, World Children’s Land, who are currently building a theme park intended to promote world peace and also giant, horrible monsters who smash and kill people. Gengo, falls in with a few other characters interested in exposing whatever conspiracy World Children’s Land has brewing, and together they uncover the truth. You’re never gonna believe this, guys, but the people running World Children’s Land are actually a bunch of body snatching aliens. Thin ice, Toho, you’re really pushing it. Anyway, these aliens, who are actually giant cockroaches wearing human holograms, intend to destroy mankind, and also Godzilla, and their plans to accomplish this involve two space monsters, whom they control. Gengo and his pals plan to put a stop to this astro-roach bullshit, and that’s the movie.

Let’s do a Monster Roll Call.

  1. GodzillaScreen Shot 2012-09-20 at 10.49.53 AMOnce a towering, insurmountable force for death and destruction destined to blanket the Earth in grim darkness, fire and blood, Godzilla is now totally cool and nice, you guys. Not only is he no longer a bad guy, but in Godzilla VS Gigan, he’s a damn underdog. Most Godzilla films portray him as an unstoppable, scaly juggernaut, the unbeatable conclusion to any conflict, but in GVG it kinda seems like his monstrous snout has finally bit off more than it can chew. He really takes a lot of abuse this time around, including, at one point, a full on Ghidoriah lightning bolt attack to his dragon balls. Rough. (NOTE: Apparently, this shot is actually recycled footage from Ghidorah: The Three Headed Monster. So, apparently this has happened to Godzilla twice now!)
  2. Anguirus21956 Anguirus has also come a long way from being Godzilla’s most hated rival to the sturdy, dependable, four legged BFF we see in GVG. Now he’s like, the “solid dude” of the kaiju kingdom, Anguirus is the monster who would come over to help you move. I mean, he’s a quadruped, with no apparent dragon breath or laser eyes, so his offensive capabilities are pretty much limited to biting and just being spiky, but he’s still out there in the fray, taking his lumps and doing what he can to back up his bros. If Godzilla seems like the underdog in this battle, Anguirus is straight outclassed, and you might find yourself worried about the little guy. I know I was!
  3. King GhidorahShowa_King_GhidorahWhat is Ghidorah the king of, anyway? Pissing me off, that’s what. Anytime aliens pop in, they summon Ghidorah from the cold recesses of space to shriek, fly around, wiggle his three heads and barf lightning at everybody. GVG is no different, which proves just how successful his outer-space Craig’s List ads are.
  4. GiganGVG_-_Gigan This guy is the big addition to GVG. Gigan is basically like, the Boba Fett of the Kaiju world. He’s a cypher, he has no purpose and no drive of his own, he’s here to do his job; kill monsters and bust shit up. He’s like a giant monster hit man, hired on by aliens to dish out the death, because truly, that is what he was made to do. This damn thing has no hope of ever living a normal life, and that is by design. Every limb he has ends in a straight up blade, his face alone has four different slicers poking out, and his fucking belly has a fully functioning buzz saw embedded in it. The only means of manipulating an object that Gigan has is to slice the hell out of it, even just picking something up is out of the question unless it can also be impaled in the process. He is super cool, though.

The big monster brawl at the end of the picture actually stretches on for quite a bit of screen time, but it’s excellent. Actually, it might be the best fight in one of these movies yet, certainly it owes more to the big throw down between Godzilla and Hedorah than what was seen in Ishiro Honda’s more reserved, classic feeling Godzilla pictures. Fukuda’s dynamic use of camera works wonders here, the fight feels epic, dirty, painful, frantic, desperate, and mean. Ghidorah and Gigan have the run of the place for most of it, and they really kick the shit out of our boys. Godzilla spends some time down for the count, with Gigan and Ghidorah almost toying with him, beating him mercilessly as he is unable to even regain his composure. Anguirus tries like hell to save Godzilla and take these mercenary dragons down, but he’s utterly outmatched, and thus, is subjected to a series of violent beat downs the likes of which he has not known in centuries. There’s actually a bit of monster blood spurting and dripping in this one, and it really ups the ante and gives this conflict a greater sense of urgency. These guys are really getting hurt!

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As usual, a crucial part of the human plan to turn the tide is to defeat the aliens and free any monsters that might be under extra terrestrial control. In order to achieve this, Gengo and his pals launch the most harebrained scheme I’ve ever seen; they literally load a bunch of boxes of dynamite into the elevator of the alien control tower, and then drape a black and white poster with cartoon drawings of themselves in front of the boxes, hoping that this super intelligent race of aliens 1) won’t notice them loading up their elevator with boxes of explosives and 2) won’t know the difference between living breathing humans and black and white cartoons, and will therefore open fire, detonating the explosives and destroying Martian H.Q. It totally works. If your alien race is dumb enough to fall for that, welcome to the Darwin Awards, you do not deserve to continue your intergalactic imperialism.

As said before, this is mostly another “been there, done that” Godzilla film, but Toho manages to squeak by thanks to Fukuda’s talents and in the end we have yet another enjoyable entry in the franchise. It’s more than a little maddening to know that they really see no issue with repeating essentially the same plot over and over and over again, but whatever. I still liked it. Everything else works and even the human characters are pretty likable, except for Gengo. This a-hole turns down jobs and then models a cartoon monster after his attractive and supportive girlfriend who just so happens to have a black belt in an unnamed field of the Martial Arts. Dude- screw you, man. On behalf of unemployed cartoonists everywhere, I hope you are eaten by Rodan.

B

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